Sabtu, 13 Februari 2010

[Z934.Ebook] Free PDF American History: Connecting with the Past Volume 1, by Alan Brinkley

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American History: Connecting with the Past Volume 1, by Alan Brinkley

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American History: Connecting with the Past Volume 1, by Alan Brinkley

Brinkley’s American History, a comprehensive U.S. History program, transforms the learning experience through proven, adaptive technology helping students better grasp the issues of the past while providing instructors greater insight on student performance. Known for its clear, single voice and balanced scholarship, Brinkley asks students to think historically about the many forces shaping and re-shaping our dynamic history.

Connect is the only integrated learning system that empowers students by continuously adapting to deliver precisely what they need, when they need it, and how they need it, so that your class time is more engaging and effective.

  • Sales Rank: #20931 in Books
  • Published on: 2014-10-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.80" h x .70" w x 8.90" l, .0 pounds
  • Binding: Paperback
  • 512 pages

About the Author
In addition to being a best selling textbook author, ALAN BRINKLEY is the Allan Nevins Professor of History and former Provost at Columbia University. He is the author of Voices of Protest: Huey Long, Father Coughlin, and the Great Depression, which won the 1983 National Book Award; The End of Reform: New Deal Liberalism in Recession and War; and Liberalism and its Discontents. His most recent books are John F. Kennedy: The American Presidents Series: The 35th President, 1961-1963 and The Publisher: Henry Luce and His American Century both published recently. He was educated at Princeton and Harvard and taught previously at MIT, Harvard, and the City University Graduate School before joining the Columbia faculty In 1991. In 1998-1999, he was the Harmsworth Professor of American History at Oxford University. He won the Joseph R. Levenson Memorial Teaching Award at Harvard in 1987 and the Great Teacher Award at Columbia in 2003. He is a member of the American Academy of Arts and Sciences, a member of the board of trustees of the National Humanities Center and Oxford University Press, and chairman of the board of trustees of the Century Foundation. He has been a visiting professor at Princeton, the Ecole des Hautes Etudes en Sciences Sociales (Paris), and the University of Torino (Italy). He was the 1998-1999 Harmsworth Professor of American History at Oxford University.

Most helpful customer reviews

12 of 13 people found the following review helpful.
Great textbook
By Kaitlyn
I really enjoy this book! I had to buy it for my American history class which is online. The format of the class is where you wouldn't have to really read the book to pass but we needed the book to cite facts. I bought the book so I might as well read it. We just finished Chapter four and I really love the structure of the book. Most chapters are lonely 20 pages long and the book is filled with interesting pictures and diagrams. All of this makes it a great textbook! The only thing I don't like is some of the subheadings are like in the side of the paragraph so it's not real clear what your reading about but I see why they chose to do that based on design purposes.

10 of 11 people found the following review helpful.
Digital content, anyone?
By Glenn Millam
I went to McGraw Hill trying to find some kind of digital content for this title for my daughter. Here is what I found. Basically, even if you want to hand them money, they will not take it. You can only get digital course material through the professor, and if he/she isn't doing it, you are SOL. I also went looking to see if anyone sold a PDF version of the book. All I found was a shady link on a filesharing website. Finally, I found something at CourseSmart where she can rent the book for 180 days... For $80! Crazy. An online, non-printed, non-physical book should not cost that much, especially a rental whose subject is freshman level. Of all the collegiate-level books I have encountered so far in the last couple of years, this may have the worst overall digital support. Dear McGraw Hill, if you are reading this, provide a way for students to independently obtain digital learning materials. Printed codexes are so 15th century.

17 of 22 people found the following review helpful.
If you could give no stars I would
By sirromyesdnil
So I teach from this book in high school. It is designed as an AP edition, but in truth it severely lacks the content necessary to both excite students and to even begin to pass the exam. It is true that it is abbreviated. It is much shorter than the American Pageant, which happens to be a very heavy but sturdy book for this subject, but in losing length, it has severely damaged the content and continuity of American history overall. Beyond the fact that it reads like eating plain shredded wheat with nothing to drink for hours, it actually has many completely false assertions. The one I can call out at the moment is a reference to Molly Pitcher in Chapter 5--she just doesn't exist, but for some reason Dr. Brinkley feels the need to toss her into the mix again. I think that the worst part of this book is that it claims to have teacher companion materials. It doesn't. Ok, it does for 5 chapters have an AP teachers guide, and at the 5th chapter it becomes the same as the college level themes listed in the Instructors Manual which is funny because people keep listing the strong AP correlation as the entire reason for adopting this book. The test questions are haphazardly written. It is pretty obvious as someone who has done graduate level work that Dr. Brinkley basically let his GAs write those questions. They lack direction. They are worded awkwardly, and they fail to come close to testing what would be important information from the chapter. The online materials are hard to access and largely redundant. Skip this one and go with something more standard.

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Senin, 08 Februari 2010

[N275.Ebook] Download NIV Study Bible, Personal Size, Italian Duo-Tone Melon Green/Dark Brown, Updated Edition 1984From Zondervan

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The Zondervan NIV Study Bible is the #1 bestselling study Bible in the bestselling NIV translation. And now it includes for 2008 a 25% revision to the over 20,000 in-text study notes and a library of study resources at your fingertips. This edition also includes a 130-page topical index for more in-depth study. Excellent for home school use. The NIV Study Bible's 20,000-plus study notes and other features have been updated and improved. Unmatched in any other study Bible, these notes have been crafted to reflect the most current conservative Bible scholarship. Other study features place at your fingertips a treasury of instant commentary from today's top evangelical scholars. Icons highlight notes of special interest in the areas of character study, archaeology, and personal application. Simply put, you won't find study notes as complete, up to date, helpful, and easy to use anywhere else. Features include: Over 20,000 in-text notes 75 in-text maps and charts Comprehensive book introductions Icons that highlight notes concerning: Archaeological information Personal application Characters and people groups NIV comprehensive concordance NIV topical index Words of Christ in red Notes index 7-point type Silver page edges Presentation page Ribbon marker 8.75" x 5.75" x 1.75"

  • Sales Rank: #3445760 in Books
  • Published on: 2008
  • Binding: Imitation Leather
  • 2368 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Candise Schmidt
Great Bible. Awesome commentary and notes. Great price.

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Sabtu, 06 Februari 2010

[O354.Ebook] Ebook Strategic Leadership in the Public Sector (Routledge Masters in Public Management), by Paul Joyce

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Strategic Leadership in the Public Sector (Routledge Masters in Public Management), by Paul Joyce

In good times and bad, in the different situations of renewal, crisis, and chronic resource constraints, the strategic leadership of public services is crucial. Good leaders are essential in helping the public sector to adapt and solve ‘wicked’ problems, and they are also integral to the reform and modernization of public governance.

This new edition of Strategic Leadership in the Public Sector continues to provide insights into useful approaches and techniques for strategic leaders, looking at:

  • what is expected of leaders
  • competency frameworks
  • leadership theories
  • techniques and processes of strategic leadership
  • leading strategic change
  • the strategic state
  • emerging leadership challenges.

Replete with real-world case studies and examples, and including new material from the USA, Canada, Australia, Europe and India, plus an appendix with practical worksheets, the book gives students a truly international outlook on the subject and offers a clear understanding of the significance of leadership, strategic management and public services reform.

This textbook represents essential reading for postgraduate students on public management degrees and aspiring or current public managers.

  • Published on: 2016-09-06
  • Original language: English
  • Number of items: 1
  • Dimensions: .0" h x .0" w x .0" l, .0 pounds
  • Binding: Hardcover
  • 356 pages

Review

'Paul Joyce demonstrates evidence that leaders need to be intelligent, social, and ethical. He re-frames strategic leadership substantially: not organizations, but governance; not followers, but citizens; not from the top, but as a mediator. This book will certainly affect the behaviour of many leaders.' - Geert Bouckaert, President of the International Institute of Administrative Sciences, KU Leuven, Belgium

'The question of leadership in the public sector has never been addressed in a publication with such clear methodological, bibliographic references. This book is a resource for academics and professionals, helping them to go beyond the generalities failing to seriously address this fundamental issue in our public organizations.' - Professor Robert Fouchet,�Director of Publications at the International Institute of Administrative Sciences�& Director of Research at the�Institute of Public Management and Territorial Governance, Aix Marseille University, France

'A compelling read that is both academically rigorous and accessible. Paul Joyce’s reflections on leadership and strategy in the public sector provide new insights for policy makers and students alike.' - Dr Richard Boyle, Head of Research, Institute of Public Administration, Ireland

'Strategy is important but often filled with buzzwords and hype. This thoughtful book gives an excellent overview of relevant theories and practical tools for public sector managers as well as for postgraduate and executive Master's students in public administration and management.' -��ge Johnsen, Professor of Public Policy, Oslo and Akershus University College of Applied Sciences, Norway

About the Author

Paul Joyce is Visiting Professor at Leeds Beckett University, UK, an Affiliated Researcher in the Department of Public Management at the Solvay Brussels School of Economics and Management, Belgium and an Associate at the Institute of Local Government Studies, University of Birmingham, UK.

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Jumat, 05 Februari 2010

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  • Sales Rank: #568628 in eBooks
  • Published on: 2016-01-26
  • Released on: 2016-01-26
  • Format: Kindle eBook

About the Author
Chlo� Hornett grew up in Birmingham, UK. The author now has two children, a bachelor’s degree in English Literature and a teacup collection which really has to go.

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2 of 2 people found the following review helpful.
REVISED REVIEW: Female domination (femdom) - a guide book
By Grady Harp
Chlo� Hornett makes what appears to be her debut in writing with this tasty little bit of naughty erotica. She knows her craft – and she knows her audience. But what is more than that she has a unique way of building a story line, introducing characters is a very clever and subtle manner so that you really don’t appreciate they are part of the ‘lesson plan’ of the title until she finished her novel with spunk.

In Erotica books he author either catches the attention in the first few paragraphs or falls victim to the fast scan search for the steam sections and forgetting about the story line. Chlo� dispels that flaw with a zinger of an opening paragraph: ‘A greasy hotel bar. Like most of its occupants, living off former glories - and finding itself overdrawn. But now Venecia walks into the room, and it changes. Becomes charged. The people in the room change too, like someone has released nerve gas into the air conditioning. I mean, she’s beautiful. And not in a delicate way. In a raw, firm, round, bouncy way. Conversations drop to a chatter, punctuated by the occasional clink of glasses. Then that self-consciously trails off too. The husbands in the room try not to notice her. The wives arch their eyebrows and share silent sympathies. It’s the same feeling you get when you’re pulling in at the supermarket and someone slips in next to you in a flashy car. You ignore it, but it’s a conscious decision. What you really want to do is take a good long stare; touch the paintwork - just for a second. Everything you have and everything you’ve achieved is now thrown against this moment and what this person has that you don’t. What Venecia has a sheer silk dress that drips like treacle.’ Case made!

Her synopsis lays the groundwork – ‘Awkward web developer Sadie Ash and eccentric casino millionaire John Domino fall in love at the card table one night - but little does Sadie know about John's dark past. With everything at stake, can Sadie navigate seven simple lessons to own John's heart and soul - and can John escape from the emotional prison of his ex-lover?’ Stick around – it just gets better. Chlo� definitely know her way around! Grady Harp, February 16

2 of 2 people found the following review helpful.
Intelligent, witty, and oh so very hot!
By ELP
First of all, I was attracted to the title and cover of this book. It displayed just the right combination of eroticism, humor, and 1950s irony with a heavy wink toward the femdom genre.

Femdom novels can be problematic. When it’s nothing but wham-bam by the ma’am (natch!), it feels a little cartoony. When erotica utilizes a power exchange as its basis of eroticism, I prefer to have it presented in a way that is a little more human and nuanced. I like to be able to feel what is happening to the mind as well as the body.

This book certainly delivers on that front. Yes, Venecia Noir, the ultimate femme fatale who teaches young Sadie the joys of femdom, is a bit over the top (her name reminded me of the Latin phrase “veni, vidi, vici). But the way Sadie and her powerful millionaire boyfriend John navigate Venecia’s lessons expresses the type of sensual and emotional vulnerability, trust, and respect that is the heart of the femdom genre.

Along with the humanity and humor, this book has a ton of, well, sex! And it is truly hot and beautifully written. The physical imagery comes alive in the reader’s mind, but it is in the description of the emotional reactions where this erotica shines.

Highly recommended for those who like their femdom with loads of intelligence, wit, and heart.

2 of 2 people found the following review helpful.
Empowered By This Erotic Tale
By Laurenreads1
Author Chloe Hornett brings erotica to brand new heights in How to Train A Man in Seven Easy Lessons. If your plan is to start out by reading the first few chapters, forget it. Spending time reading the day away (at least for me), is considered a luxury. Well I luxuriated anyway. Hornett's book is based on central character Sadie Ash who is oh so endearing, not in the kind of way that's memorable. This young woman just has so much living to do. It all changes on the day that she crosses paths with the very rich and successful John Domino. No spoiler, but what's to come will be downright titillating and every good-girl gone bad fantasy. Unexpected and erogenous, it's not just what Sadie learns about sex, the true shocker will be from who. Two thumbs up for a well written read that also promotes women empowerment.

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Selasa, 02 Februari 2010

[A134.Ebook] PDF Ebook Elementary Statistics with Formula Card, by William Navidi, Barry Monk

PDF Ebook Elementary Statistics with Formula Card, by William Navidi, Barry Monk

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Elementary Statistics with Formula Card, by William Navidi, Barry Monk

Elementary Statistics with Formula Card, by William Navidi, Barry Monk



Elementary Statistics with Formula Card, by William Navidi, Barry Monk

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Elementary Statistics with Formula Card, by William Navidi, Barry Monk

Navidi/Monk, Elementary Statistics was developed around three central themes – Clarity, Quality, and Accuracy. These central themes were born out of extensive market research and feedback from statistics instructors across the country. The authors paid close attention to how material is presented to students, ensuring that the content in the text is very clear, concise, and digestible. High quality exercises, examples and integration of technology are important aspects of an Introductory Statistics text. The authors have provided robust exercise sets that range in difficulty. They have also focused keen attention to ensure that examples provide clear instruction to students. Technology is integrated throughout the text, providing students examples of how to use the TI-84 Plus Graphing Calculators, Microsoft Excel and Minitab. The accuracy of Elementary Statistics was a foundational principle always on the minds of the authors. While this certainly pertains to all aspects of the text, the authors also exhausted energy in ensuring the supplements have been developed to fit cohesively with the text.

  • Sales Rank: #97474 in Books
  • Published on: 2015-01-15
  • Original language: English
  • Binding: Hardcover
  • 735 pages

About the Author
Degrees: Bachelor of science in applied mathematics, University of Alabama; master of arts in mathematics, University of Alabama; and doctorate in applied mathematics, University of Alabama.

Year he joined the Macon State faculty: 2001.

Some of his professional career highlights are … “Being asked to serve as the program coordinator of mathematics after only two years at Macon State College, heading up the development of the bachelor’s degree in mathematics at Macon State, leading the organization of the Southeastern Scholarship Conference on E-Learning hosted by Macon State each year since 2005, maintaining high student evaluations and developing numerous online mathematics courses with my colleagues Mary Wolfe, Steve Davis and Wanda Eanes.”

He enjoys teaching at Macon State because … “I am surrounded by a great group of people – both students and faculty.”

His favorite course to teach is… “Calculus, because there are so many interesting applications that can be covered. Also, this is the course where students really start to see how the different areas of mathematics come together.”

One thing people don’t know about Macon State is … “How dedicated the faculty are to the success of students.”

One thing people don’t know about him is … “I worked my way through college playing jazz piano in a bar.”

In his spare time he likes to … “Read, compose music, bowl, play with my six cats and go shopping. I also like to travel a lot.”

The one person he’d most like to meet is … “The Amazing James Randi, because of his tireless work promoting science, freethinking and critical reasoning skills.”

If he wasn’t a college professor he would be . . . “Who knows? Maybe a blackjack dealer at a high-stakes table in Las Vegas.”

William Navidi is Professor of Mathematical and Computer Sciences at the Colorado School of Mines. �He received the B.A. degree in mathematics from New College, the M.A. in mathematics from Michigan State University, and the Ph.D. in statistics from the University of California at Berkeley. �Professor Navidi has authored more than 50 research papers both in statistical theory and in a wide variety of applications including computer networks, epidemiology, molecular biology, chemical engineering, and geophysics.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Well
By Kayla Craft
Didn't come with math connect like the customer physically told me it did but the book was brand new sealed.

1 of 1 people found the following review helpful.
Access code not included
By L. Parker
Wish it would have come with an access code

0 of 0 people found the following review helpful.
Good for text book or reference book
By Shrestha
great book to get the basic concept. can be either used as a reference book or text book.

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Minggu, 24 Januari 2010

[E767.Ebook] Free PDF Politics in China: An IntroductionFrom Oxford University Press

Free PDF Politics in China: An IntroductionFrom Oxford University Press

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Politics in China: An IntroductionFrom Oxford University Press

Politics in China: An IntroductionFrom Oxford University Press



Politics in China: An IntroductionFrom Oxford University Press

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Politics in China: An IntroductionFrom Oxford University Press

Sixty years ago, China was one of the poorest countries in the world, populated mostly by rural peasants, and still suffering from more than a century of internal turmoil and international humiliation. Today, China is a rapidly modernizing economic dynamo with growing global influence. Politics in China is an authoritative introduction to how this transformation occurred, and how China is governed today. Written by an international team of highly-regarded China scholars, each chapter offers an accessible overview of a key topic in Chinese politics. The opening section provides readers with a firm grounding in China's modern political history, from the fall of the last imperial dynasty through era of communist rule under Mao Zedong, Deng Xiaoping, and their successors. The next section covers the political system, with chapters on Communist Party ideology, the structure of the political system, and the policies behind the country's spectacular economic performance. The book then focuses on several major issues in China today: politics in the countryside and the cities; the arts; the environment; public health; and population policy. The final chapters cover politics in four important areas located on China's geographic periphery: Tibet, Xinjiang, Hong Kong, and Taiwan.

Comprehensive and fully up to date in its coverage, Politics in China is essential not only for students studying contemporary China, but for any reader interested in learning how this rising power has evolved in recent times and the workings of its current political system.

  • Sales Rank: #956273 in Books
  • Published on: 2010-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.00" h x .90" w x 9.90" l, 1.70 pounds
  • Binding: Paperback
  • 456 pages

Review
"If this reviewer were teaching a survey course on China, he would probably adopt this as a required text...The contributors are all well qualified. Materials are current and presented clearly with a minimum of jargon...Summing Up: Recommended."--CHOICE."..both a useful 'introduction' to Chinese politics (as it is modestly subtitled) and 'unique book', as William A. Joseph contends more boldly in his preface. It is useful because it provides a quite comprehensive and up-to-date overview of nearly every dimension of Chinese politics that one might deem pertinent, yet it is also unique (or at least unusual) in at least two respects. First, its coverage is really quite comprehensive, ranging from the Guangxu emperor to Hu Jintao and his likely successor Xi Jinping, and from public health and the environmental crisis to the future of electoral democracy in Hong Kong. Second, the selection of contributing chapter writers is excellent: thus, we have Keith Schoppa on the fall of the Qing, Frederick Teiwes on the Maoist era, Tyrene Whyte on population planning, Robert Barnett on Tibet, David Zweig on political economy, Richard Kraus on the arts, Shelley Rigger on Taiwan, and so forth."--The China Journal

About the Author
William A. Joseph is Professor of Political Science at Wellesley College and an Associate in Research of the John King Fairbank Center for Chinese Studies at Harvard University.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Good introductory text
By C. M. Clarke
This is a good introductory text for an overview course on China. Its chapters cover almost every important issue except the military. If the editors put out a new edition, I hope they would rectify that and perhaps add a bit more detail on pre-1840s history to give the student a bit better grounding in the importance and relevance of history to today's Chinese.

0 of 1 people found the following review helpful.
Five Stars
By Lrichey2929
Excellent condition - exactly as described

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Kamis, 21 Januari 2010

[L834.Ebook] Download PDF Encyclopedia Gothica, by Liisa Ladouceur

Download PDF Encyclopedia Gothica, by Liisa Ladouceur

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Encyclopedia Gothica, by Liisa Ladouceur

Encyclopedia Gothica, by Liisa Ladouceur



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Encyclopedia Gothica, by Liisa Ladouceur

Encyclopedia Gothica is a guide through that shadowiest of subcultures: modern Goths. It collects and defines more than 600 words and phrases used by these children of the night so that you too can engage in conversations about deathhawks and rivetheads and who is more u�bergoth: Bela Lugosi or Robert Smith. Compiled by acclaimed Goth journalist and poet Liisa Ladouceur, it gives readers insight into the unique vernacular of this fascinating community, describing in detail and with black humour the fashion, music, and lifestyle as well as sharing insider slang such as Baby Bat, Corp Goth and the Gothic Two-Step, and the first ever Goth Band Family Tree. From absinthe to zombies, it’s the Encyclopedia Gothica!

  • Sales Rank: #1150197 in Books
  • Published on: 2011-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.60" h x 1.10" w x 5.60" l, 1.40 pounds
  • Binding: Hardcover
  • 313 pages

Review
"A wickedly funny portrait of this community in black…If you're the sort who gives out gifts on Hallow's Eve, Encyclopedia Gothica is ideal for babybats and elder goths who'll appreciate the wealth of reminders of the experiences that make up goth life." —NOW Magazine (October 2011)

"We knew that we were going to like this book from the very first page. . . . Ladouceur is a rare gem of a commenter that has the ability not only to laugh at herself, but to be able to get you to laugh at yourself too." —www.HoustonPress.com (October 2011)

"Ladouceur has compiled a thorough and amusing encyclopedia about all-things-Goth . . . Whether you want to read about Nosferatu, Goth Juice or mall Goths you'll find brief and truly informative segments in Encyclopedia Gothica." —www.AntiMusic.com

"Encyclopedia Gothica, contrary to what you might think of goth culture, doesn't take itself too seriously. Just the opposite: Ladouceur's humour is a welcome rarity in an oft-misunderstood subculture." —Maclean's (November 2011)

"For those who continue to fear Goths, this book is a powerful antidote. Despite their spiky, menacing exterior, Encyclopedia Gothica details a culture as harmless and geeky as your average Star Wars fanboy or Kiss Army foot soldier." —National Post (November 2011)

"Anyone who identifies as a Goth but wishes that people would stop asking what that means now has a book that they can point people to. Including illustrations from the talented Gary Pullin, Encyclopedia Gothica is the essential Goth reference whether you're wondering who Sisters of Mercy are or what absinthe is (and why Marilyn Manson has his own brand of the green stuff)." —www.GeeksOfDoom.com

About the Author

Liisa Ladouceur is a music and culture journalist. She writes a music column for Rue Morgue magazine and can be heard on the�weekly all-horror podcast on Rue Morgue Radio. She has been recognized as a Goth expert on numerous television programs and hosted the 2010 Gothic Toronto literary event at the Luminato Festival. Gary Pullin is an illustrator and the art director for Rue Morgue magazine. They both live in Toronto.

Excerpt. � Reprinted by permission. All rights reserved.
What Is “What Is Goth”?

Ask a Goth person “What is Goth?” and they’ll likely tell you, “I’m not Goth.” Which is a sure sign that they are, in fact, %666 Goth. If you find this confusing, this book is for you. If this makes perfect sense, this book is for you — but it is also about you.

It’s no wonder that the G–word perplexes both insiders and on–lookers alike. This one hard–working four–letter word has been asked to define so many things: music, fashion, architecture, typefaces, literature, cinema, a Germanic tribal horde and, for about 30 years now, the kind of people prone to hanging out in graveyards sipping red wine and pretending it’s blood while reading Shelley aloud and contemplating the bleakness of existence (and/or holing up in their bedrooms with Joy Division records). At least that’s who one might think a Goth person is by the way we are most often portrayed in news reports and the kind of articles that pop up around Halloween or whenever a teenager wearing a black T–shirt shoots someone.

I say “we” here because I am, unabashedly, Goth.

I wasn’t born that way, a daughter of darkness. But it didn’t take much. In fact it took exactly 4 minutes and 20 seconds of television. MuchMusic, then the Nation’s Music Station in Canada, had just come to my area and, being obsessed with popular music, I watched every day after school. And on one afternoon in the late 1980s Much played “She Sells Sanctuary” by a British band I didn’t know, The Cult. Like most videos of the era, it was a simple performance clip, the band lip–synching and fake–playing in a studio — in this case one bathed in psychedelic coloured lights. It’s not, viewed today, particularly Goth. (Singer Ian Astbury is dressed like a hippie and guitarist Billy Duffy has short white blond hair, to start.) But its opening moments — a red curtain parts to reveal a shadowy, Shaman–type figure all in black slowly swirling his hands around in a fog — hypnotized me like nothing I’d seen before. And the song itself — with its incessant drumbeat, intoxicating echoey guitar riffs and infectiously simple, haunting refrain about the world dragging us down was my first exposure to something that bombastically melodramatic. I knew melancholy from poetry, but this was ache you could dance to. For me, being exposed to “She Sells Sanctuary” was like getting a blood transfusion: I woke up afterwards and my insides were completely different. I had a totally new pulse.

After The Cult came The Cure. And Love and Rockets and Bauhaus and The Sisters of Mercy and Siouxsie and everything else I could get my hands on in a small town, pre–internet. A random photo of three scary looking guys in a free magazine turned me on to Skinny Puppy, and from them came the discovery of industrial music. By this point, I had moved to Toronto, knew the word “Goth,” and was well on my way to exploring everything that meant. Ultimately, I started publishing my own fanzine (The Ninth Wave, named after an album side by Kate Bush) and guest co–hosting a campus radio show, Beyond the Gates of Hell, with the Gothiest boy in town. It was about this time that I started being asked, “What is Goth?” A lot. Especially by the media.

On many occasions I primped for evening news cameras or wayward reporters and tried my best to explain what the hell all this was. I would declare how we are not (all) suicidal or satanic, speak haughtily of a love for poetry and philosophy and beauty and romance, trying my best to convey, in a way that just might make it into the inevitably truncated soundbite, just what is Goth.

I was, of course, doomed.

Since it first crawled out of the clubs of England and America in the death throes of the 1970s, the subculture we’ve come to call Goth has been difficult to explain. At the start, these denizens of the night were known as batcavers or death rockers, the music was generally considered part of post–punk and the clothes were simply … black. Mystery lingers over who first appropriated the word “Goth” to describe this new kind of young freak; my beloved Ian Astbury (one of those Goth icons who insists he’s not Goth at all) is just one who has staked his claim to it.

By the mid–1980s, the G–word was well established, and a collective consciousness evolved around the term. Gothic rock was a legit musical genre. There were Goth–specific shops, Goth magazines and Goth festivals. Goth was now a somewhat recognizable thing, a world of Victorian– or Medieval–inspired sense and sensibilities co–mingling with punk rock and S&M attitude and fashion. And the diverse crew of anarchists, art school brats and horror movie fans who had started it seemed to have been distilled into a fairly homogenous bunch — one quite easy to identify. Or so we thought. Thanks to explosion of the internet in the mid–1990s these people — many of them misfits in small towns around the globe — started to find each other in great numbers. And as they chatted amongst themselves, they discovered that as much as they were all drawn to what had come to be known as Goth, they weren’t necessarily alike. A popular question became, “Is [this thing I like/hate] Goth?” Because, like any good species seeking immortality, the subculture was mutating, drawing upon new influences such as cyberpunk, rave culture and anime and finding new ways of expressing a devotion to the dark side beyond black eyeliner and backcombed hair. The different factions named themselves: rivetheads, Cybergoths, Romantigoths, etc. Each new wave brought their own codes of conduct and methods of communication. For the one thing these sub–groups had in common was that each sought to distinguish itself from the others, and from youth culture trends at large. And so, Goths reevaluated what the G–word meant, twisting it into new variations to suit the bewildering number of subgenres and sub–subgenres, so much so that terms such as Trad Goth emerged to distinguish the oldschool original folk from the new.

Most helpful customer reviews

13 of 14 people found the following review helpful.
Dance The Ghost With Me. . . .
By M. Gheesling
To distill an entire subculture into one book isn't any easy task. In the case of "Encyclopedia Gothica," it's even harder as Goths are constantly asking the question "What is Goth ?" and reinventing the definition. Surely, there will be at least one Goth who reads this book and exclaims "They included Band X ?! They're not Goth !" or "Why wasn't Band Y included ? They're G.A.F.!" (Exclamation #2 was my refrain when I discovered that the band This Ascension was missing an entry. By the way, if you don't know what G.A.F. is, you need this book.)

Nevertheless, the author does an admirable job of including the right stuff and leaving out the superfluous. Enduring Goth stuff and stuff that Goths have loved forever (Sisters of Mercy; Kambriel, the fashion designer; Hammer Horror films; Snakebite cocktails, etc.) are included while flash-in-the-pan micro-trends and the promising-but-too-new are not. (Sorry, Coilhouse magazine.)

What elevates Encyclopedia Gothica above other reference works are the wry opinions of the author. With typical Goth snarkiness, what could have been a dry reference work becomes much more entertaining, even if you don't agree with the author's viewpoints. (Personally, I didn't think Winona Ryder was all that bad in "Bram Stoker's Dracula," although she was upstaged by Sadie Frost. )

In any case, Encyclopedia Gothica, in short order, has earned a place on my bookshelf right next to my copies of Baudelaire's "Flowers of Evil" and Voltaire's "What Is Goth ?" and "Paint It Black: The Guide To Gothic Homemaking." All dark hearts should get a copy. . . .

7 of 7 people found the following review helpful.
Haunting
By Kyle Bernstein
This is a beautifully presented, lovingly-written account of the who's who, what's what, origins, and history of the Gothic arts. Less "Goth for Dummies" than a well-organized and comprehensive guide to the wonderfully dark underworld by one who has obviously lived it. The lovely cover art makes this a great (Halloween) gift for your favourite night person. It would fell right at home on the shelf amongst the Poppy Z. Brite and Ann Rice or displayed on the mantle or coffee table.

1 of 1 people found the following review helpful.
Basic and Useful
By P. G. Wickberg
I lay no claim to be a Goth, even an Elder Goth, but I do admit to being Goth-curious (don't know what those mean? That's why you need this book!) For those looking for a way to learn more about them without having to put on fishnet, striped tights or eyeliner, Liisa (that's how the book spells it, no matter what Amazon says...) Ladouceur gives almost 300 pages of definitions of all things Goth (not Gothic - an important difference, although she does mention the Visigoths and their Ostrogoth cousins in passing). The scope is world-wide, although outside the U.S. she devotes little space to anything besides the UK, Germany and Japan - isn't there a Goth scene in Russia by now? She also does so with a outrageous humor that is totally at odds with the usual media image as Goths as cheerless souls who hang around in dark corners obsessing about the sadness of life. There is even a subset called Perky Goths, Liisa informs us, who wear pink and are relentlessly cheerful (the black-clad corner lurkers, she says, are a subset known as Mopey Goths). There are also Trad Goths (who don't believe anything Gothic post-dates 1990), Cyber Goths (who are obsessed with technology, natch) and Faerie Goths (usually found chilling out at Renaissance Fairs), and so on. The book also gives a pretty good fast summary of the "progressive music" scene from the beginnings of punk to more-or-less the present, although obviously she concentrates on the groups of most interest to Goths. The book's one drawback is that it was complete up to 2011, when it was published - nothing changes faster that popular culture, and by 2014 it is in need of an update!

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