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Feminism, femininity and popular culture (Inside Popular Film MUP), by Joanne Hollows
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Accessible, introductory student guide which identifies key feminist approaches to popular culture from the 1960s to the present. The only introduction to both feminist cultural studies and feminism and popular culture published in the UK. Presents its information in a reader friendly series of case studies on:women's filmromantic fictionsoap operaconsumption and material culturefashion and beauty proacticesyouth culture and popular music. Will appeal to students across a wide range of disciplines as a variety of popular cultural forms are discussed.
- Sales Rank: #1299635 in Books
- Brand: Brand: Manchester University Press
- Published on: 2000-02-10
- Original language: English
- Number of items: 1
- Dimensions: 5.60" h x .50" w x 8.50" l, .66 pounds
- Binding: Paperback
- 240 pages
- Used Book in Good Condition
About the Author
Joanne Hollows is Senior Lecturer in Media and Cultural Studies at Nottingham Trent University
Most helpful customer reviews
14 of 14 people found the following review helpful.
Fashion and feminism--more compatible than we imagined
By A Customer
Hollows has produced a cutting-edge feminist analysis of feminine popular culture including such topics as fashion and beauty practices, women's film, etc. that were regarded by many second-wave feminists to be more "feminine" than "feminist". Hollows has re-examined the feminine/feminist dichotomy to explore how they have been constructed as competing or opposing social pressures. She is examining the tension between wanting to hold on to the identity "feminist" and wanting to see how feminism can be understood differently for multiple generations of women.
Feminist cultural criticism has relied heavily on the idea that a politically correct feminist identity can deconstruct other feminine identities as "invalid". A popular perception is that a feminist "leader" will instruct "ordinary women" in the error of their non-feminist ways. If feminist intellectuals are trained, educated and committed to raise the consciousness of other women they should therefore be committed to "redeem" others from their servitude to interests such as fashion. Hollows believes that much of this black-and-white thinking comes from traditional views of production/consumption issues and how the dichotomous perception of these issues has produced gendered identities of those who are associated with one or the other.
Hollows has a clear and readable style of writing, despite the academic orientation of this book.
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